FABURIQ

Men's Haberdashery and Modern Accessories Crafted From and Inspired by Heritage Japanese fabrics
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Made for the Modern Man. Handcrafted and limited edition accessories made from Heritage Japanese Kimono fabrics. Faburiq is based in Boston and Made in the USA.

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Embracing Formality

Aruña Quiroga February 26, 2017

Braces, referred to in the United States, as suspenders have existed in one form or another since the birth of trousers or pants. Braces are not something to be afraid of, nor are they to be thought of as antiquated or overly formal. When dressed appropriately, they offer a comfortable blend of function and form, modernity and versatility, helping you stay comfortable in your pants whilst allowing them to hang properly and drape cleanly throughout the day.

But, before all that, let’s begin at the beginning because there’s much more to braces than simply an alternative to the belt that holds up the pants.

The creation of the modern trousers, as we know it today, is attributed to George Bryan "Beau" Brummell (known as the 'Ultimate Man of Style' and his friendship with the Prince of Wales, the future King George IV) and his tailor, Jonathan Meyer.  This was in the early 1800s at his Conduit Street workshop in the London district of Mayfair. "Beau" Brummell is credited with introducing the modern men's suit, worn with a necktie, establishing it as fashion and as a staple in today's men's wardrobe. In order to create the stretched, slim look of Brummell’s trouser legs, the straps securing the hems needed to be countered by suitable supports at the waist. Brummell’s design incorporated a foot-strap to keep the trouser-legs taut and straight – a feature that still exists on the bottom half of British Guards and Cavalry dress uniforms.

Around 1820, Mr. Albert Thurston invented the perfect product to pair with the new trousers. He used leather loops to attach braces to buttons that were sewn onto trouser waistbands. The braces could then be easily transferred for use from one pair of trousers to another. Whilst the leather loops remain a feature of the majority of Albert Thurston braces produced to this day, the configuration of the brace-straps has changed over time. Albert Thurston still remains the premier choice for proper English-made braces today. All of Faburiq's leather loops used on our suspenders are made with English leather, inspired by the inventor himself.

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Initially thought of as ‘underwear’ to be worn exclusively beneath a waistcoat, it was distasteful to wear suspenders if a vest or another piece of clothing did not cover them. As recent as 1938, exposing them was against the law on Long Island. But by the turn of the twentieth century, suspenders were increasingly becoming an accessory to take notice of, a statement piece that enhanced one’s tailored look and a demonstration of one's knowledge of how to dress.

From a practical viewpoint, correctly fitted suspenders allow you to completely forget about slouching through the day and hitching your pants up. There is nothing less elegant than pants pulled-tight with a belt that seldom stays where you want them. Suspenders eradicate that problem, hanging pants elegantly and immovably from your shoulders. They allow for your pant waistband to be looser, therefore a little roomier than if you were to wear a belt. This is not only comfortable but allows for the pant to fall through the leg more naturally. In the same breath, they allow for one to wear pants with a slightly higher rise that sit atop, rather than across the hips for a classically elegant aesthetic. Suspenders come in either button-in or clip-on variants. Button-in are more traditional and grown up. Buttons are always supplied with button-in designs, such as Faburiq's suspenders.

Suspenders also add color and character to a tailored ensemble; try a simple navy suspender with grey flannels and a tweed jacket, or else wear a pair with subtle spots or stripes under a navy blazer with a denim shirt and chinos for an understated look. Generally speaking, the narrower suspenders feel less formal, hence a good place to start for smart-casual dress. For suiting, try the wider width suspenders and complement them with the colors in your tie or accessories. Whichever style, pattern or composition of suspenders you choose, they are more than worthy of your attention and experimentation this season. They will certainly make the perfect discussion or point of distinction. Embrace them and enjoy.

Author: Aruña Chong Quiroga

Ref: "Well Hung: The Ups and Downs of Trouser Braces"  Mason & Sons | Nov 2015

In Custom, Design, Fashion, Handmade, Handsewn, History, Made in Japan, Made in USA, Men's Fashion, Suspenders, Braces, Trousers, Pants, Haberdashery Tags Braces, Suspenders, Kimono Fabrics, Formal, Men's Fashion, Haberdashery, English Leather, Brass, Design, Pants, Trousers, Handmade, Handsewn, Made in England, Made in Japan, Made in USA
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A local shrine in Arimatsu village is seen here. This humble town is the birthplace of Shibori Dyeing.

Exploring Arimatsu

Aruña Quiroga September 27, 2016

Arimatsu village is one of Japan’s hidden treasures, whose history never seems too far from the past. The town is the birthplace and probably best known for its traditional textile craft, Shibori, used for kimono and various designer garments today. “The whole town is really beautiful. People here live and breath their Shibori craft,” explains Sebastian, whose textile affections inspired his trip. It’s like a living museum - people still live here, and the town is filled with contemporary designer boutiques and modern local bistro and cafes. You can also enjoy the scenery of the village’s serene Zen forest anytime of the day. 

Arimatsu (有松町 Arimatsu-chō) was a town located in Aichi Prefecture, Japan. Today, it is approximately three-and-a-half-hours by Shinkansen (新幹線) from Tokyo. It is now part of Nagoya, a town filled with Tokugawa and Edo treasures. Shibori, also known as “Japanese tie-dye”, is a form of resist dyeing in which fabric is folded, tied, twisted or wrapped to create patterns and various motifs. The variation of methodology and motifs it has created are given different names and each has symbolic significance. 

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One of the main attractions to learn and experience Shibori in Arimatsu is the Shibori Kaikan Museum. The true treasure is on the second floor where you’ll see the Shibori Craftswomen from Arimatsu. “I was introduced to Okasan Aiko during my visit where she demonstrated the different Shibori techniques. She showed me the different processes of Shibori from Kanako (regular tie-dye), Kumo (wrapping), Nui (stitching), Arashi (pole wrapping and twisting), Itajime (shape resistant/clamping) and many more Shibori techniques. The Shibori collection displayed is breathtaking, most of them dyed with the natural and traditional dye – Indigo or Japanese Blue. Shibori fabric has an amazing texture. The tiny knots that are hand tied not only create a visual pattern, but also a raised texture. The tools and vintage technology varies within the different processes of Shibori. Workshops are held where various techniques are taught by the Master Shibori craftswomen,” explains Sebastian. 

"Shibori needs patience less than time and more than heart because it's a craft beyond words. Devote to such a craft only with love." Shibori Craftswomen of 有松町 Arimatsu-chō

As Master Aiko continued wrapping her Kumo Shibori, she talked about the Annual Shibori festival, a celebration of the Shibori art and the town itself, held the first weekend of June along the old Tokaido highway. The festival floats with performances of Dashi floats and Karakui mechanical puppet shows performed by Shibori Komachi and Fukuotoko (lucky men). Some of the old historical houses are open to public offering a peek into truly traditional homes.

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Many old historical houses from the Edo period still line the Tokaido road. Shibori designer boutiques, cafes and serene local shrines could be found in the backyard of Arimatsu village. The vivid art of Shibori is truly a cultural experience beyond time and history, and today, placing its mark on contemporary fashion. Experience Shibori within Faburiq’s haberdasheries and shop the story!

*If you would like to know more about Kimono fabrics click here and if you would like to know more about Shibori fabrics click here.

Authors: Alexander Sebastianus and Aruña Chong Quiroga

In Art, Design, Fabrics, Faburiq, Fashion, Haberdashery, History, Handmade, Handsewn, Japanese Inspired, Made in Japan, Made in USA, Men's Fashion, Pocket Squares, Sustainability, Traditional, Arimatsu, Shibori, Resist-Dyeing, Neckties, Bow Ties Tags Arimatsu, Shibori, Handmade, Fabric, Kimono Fabrics, Alwaysbyhand, Men's Fashion, Pocket Squares, Bow Ties, Neckties, Sourced In Japan, Made in USA, Boston Made, History, Symbolic, Art, Artist, Haberdashery
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Isezaki-Kasuri Weaving

Aruña Quiroga July 29, 2015

In the Gumma prefecture, resides the Sadao family, the last living family that carries the tradition of Isezaki-Kasuri weaving. We spent an afternoon with Mr. Sadao as he walked us through the meticulous process of creating this handcrafted fabric. Named after the city of Isezaki itself, Isezaki-Kasuri (Kasuri meaning a splashed pattern) is a plain weave using silk thread also known as Isezaki-Meisen.

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平織り: Hira-ori or Plain weave is the simplest and most common of textile weaves. It is also known as the Tabby weave. The filling threads and the warp threads interlace alternately, forming a checkboard pattern. These plain fabrics are woven with pre-dyed silk threads, keeping the characteristics of silk. They are woven manually with various techniques ranging from simple splash patterns to more complicated splash patterns.

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Silk textiles have been woven here for centuries due to a flourishing silkworm industry. Approximately 250 years ago, the area became busy enough for a city to be established, and textiles were shipped to Edo (now Tokyo) on boats via Tone-gawa River. Although Isezaki owed its growth to textiles, demand for textiles declined drastically as woolen and silk/wool mix kimono fabrics became more popular. Isezaki-Kasuri weaving was designated a traditional craft in 1975.

Shop Faburiq.

                                         The unassuming entrance of the Isezaki-Kasuri workshop where the fabrics are produced.

 Author: Aruña Quiroga

In Art, Fabrics, Faburiq Pocket Squares, Faburiq, Handmade, History, Isesaki, Japanese Inspired, Kimono History, Kimono Origins, Kimono Pocket Squares, Made in Japan, Pocket Squares, Men's Fashion Tags Fabrics, Faburiq Pocket Squares, Isesaki, Handmade, Japanese Inspired, Kimono Fabrics, Kimono History, Kimono Pocket Squares, Oneofakind, Made in Japan, Madebyhand
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Tokyo Dyed Komon or Tokyo Some Komon

Aruña Quiroga June 5, 2015

At Faburiq, we search Japan for centuries old traditions in fabric making. In our recent trip to Japan, we had the chance and privilege to meet Atsushi Tomita and his son, Takashi Tomita, whose family has been manufacturing Komon kimono fabrics since 1914. Located in the Shinjuku-ku area of Tokyo, their family run factory lies on the upper stream of River Kanda where there is ample supply of neutral river water essential for dye works. Komon means "small repeated patterns" and dyed Komon goes back to the Muromachi period (1333 - 1573) where the samurai class began to use them as daily clothes. In the Edo period (1603 - 1868), Komon was used for kamishimo, the samurai's formal wear. Each samurai family has it's own pattern and the pattern was only unique to one family. As each family competitively created original designs and techniques, dyed Komon eventually developed into a form of craft. Today, Komon dyeing has been adopted into ordinary life. The modern and sophisticated Komon kimono with a 600-year tradition is mostly worn for tea parties and chic casual today.

The process of Edo Komon are divided broadly into 5 steps:

  • Designing the template and pattern carving. Groups of most skilled pattern-carvers from Ise, modern Mie prefecture, have been specializing in this demanding task for more than a thousand years, probably since the Heian period.
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  • Coloring Adjustment and Paste Mixing. Powdered glutinous rice and rice bran are mixed with water to make a soft dough. The dough is steamed and kneaded with the required dye solution until it looks like paste. Dyes are tested carefully on cloths until the right shade is found. "Ji-iro-nori" is the paste for the area outside the pattern and "Me-iro-nori" is the paste for the pattern itself.
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  • Katatsuke or Pattern Dyeing.  The pattern is placed on a white silk cloth on a long board and the "Me-iro-nori" is spread evenly. The patterned cloth is then dried in the sun.
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  • Shigoki or Field Dyeing. When the paste is completely dried, colored paste is spread evenly on the cloth so that it covers the whole cloth. This step is called "Shigoki".  Sawdust is sprinkled over the paste-covered cloth to prevent it from adhering to other sheets of cloth.
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  • Finishing which involves steaming, washing and drying. Before the coloring paste dries out, the cloth is put into a steam box for 15 to 30 minutes at 90 too 100 degrees Celsius. This process allows the dye contained in the paste to permeate evenly into the cloth. Until 1963, dyed fabric has been washed in the river Kanda. But now, underground water has been used to splash the paste off the cloth with a machine. Lastly, the cloth is spread onto a board to dry, and then smoothed out with steam and iron.

 

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The Shinjuku dyers along the River Kanda have played a big part in Tokyo's busy kimono industry since the beginning of Japan's modernization. Tokyo became one of Japan's three main production centers of kimonos, with Kyoto and Kanazawa. In recent years, many tradesmen in the Tokyo dyeing industry have been designated as Masters of Traditional Crafts under Japanese laws for preserving traditional crafts. The visit served as a perfect opportunity to scout for new fabrics and get inspired. Shop culture, shop Faburiq.

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Author: Aruña Quiroga

In Fabrics, Faburiq, Handmade, History, Japanese Inspired, Kimono History, Kimono Pocket Squares, Made in Japan, Made in USA, Men's Fashion, Pocket Squares, Edo Komon Tags Faburiq, Faburiq Travel, fabrics, Tokyo, Kimono Fabrics, Kimono Dyeing, Kimono History, Komon Dyeing, Tokyo Dyeing Industry, Traditional Crafts, Pocket Square, Kimono Pocket Squares, Oneofakind, Menswear, Men's Fashion, Made in Japan, Made in USA, Handmade
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Wabi-sabi: Embracing the Worn and Asymmetrical

Aruña Quiroga January 6, 2015

What if, instead of fighting imperfection, you welcomed it in your life?

Believe it or not, this is the foundation of a very old way of thinking. The Japanese concept of wabi-sabi means "impermanent, imperfect and incomplete." It derives from the Buddhist way of looking at the world, which has a foundation in nonattachment, and takes its cues from the natural world and authenticity, from the handmade and the worn.

Popularized in 15th century Japan, it is a reaction to excess and lavishness. As a designer, I think of it as the anti-internet, and a similar aesthetic is undercurrent in all types of design today. Currently, it's a reaction to the sleek perfection of technology, of the cookie-cutter house or car, the bland design of corporate logos and mass-produced retail goods.

Wabi-sabi is the Japanese idea of embracing the imperfect, celebrating the worn, the used or the cracked, both as a decorative and spiritual concept. In essence, it's the acceptance of the toll that life takes on us all. If we can learn to love the things that already exist, for all their chips and cracks, their imperfections, their crooked lines or tactile evidence of being made by someone's hands instead of a machine, from being made of natural materials that vary rather than perfect plastic, we wouldn't need to make new stuff, reducing our consumption, its concurrent energy use and inevitable waste while cutting our budgets. We might also be less stressed, and more attentive to details, which are the keys to mindfulness.

At Faburiq, we design knowing our fabrics have an implied history and evidence of humanity. We have an appreciation of the stories old things have, rather than the blankness that new things shine out into the world. We pride ourselves in giving these traditional fabrics a new life by crafting them into accessories and apparel with yet, another story to tell.

Author: Aruña Quiroga

In Faburiq, Faburiq Pocket Squares, Handsewn, Japanese Inspired, Pocket Squares, Vintage, Men's Fashion, Made in Japan, Made in USA, Handmade, Fabrics Tags Faburiq, Kimono Fabrics, faburiqmade, heritage, Japanese Inspired, madeinjapan, madeinusa, Handsewn, handmade, Oneofakind, fabrics
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Studio Visit: STIL Now!

Aruña Quiroga November 18, 2014

When one thinks of a curated, creative lifestyle encompassing health, well-being and personal style, Betty Riaz embodies all of these.  Through her work as a yoga practitioner, her boutique at Stil Studio, and now teaming up with fine jewelry designer, Ana Katarina Vinkler-Petrovic, to curate Boston's newest pop-up store Stil Now, on Boston’s famed Newbury Street. Scouring the globe for unique, handpicked, sustainable and stylish items, Stil Now, with its eclectic mix of designers, is a blueprint for a balanced, international lifestyle. As dear friends, Betty invited me to share Faburiq’s international elegance with Stil Now, and I am honored to have Stil Now carry Faburiq pocket squares. 

As a huge follower of designers that Stil has previously carried, we're thrilled Stil Now has brought back some of it's old favorites such as Hoss, Nirva, Ottod'Ame and Escentric Molecules. For this holiday season, Stil Now is featuring Balkan designers, notably Ana-Katarina Jewelry, Portmanteau, Amna and Milansenic. A host of designers for men's accessories and home goods such as Beacon Hill Bow Tie Club and Miraggio Pillows are also being featured. The space is just as one would imagine - minimal, serene, foreign but homely, like a living space that has manifested from the streets of Pakistan to the clean cuts and coziness of Copenhagen.

If you are in the Boston area be sure to visit Stil Now on Newbury St this Holiday season, and thank you to Betty, Ana-Katarina and the Stil crew so much for carrying Faburiq!

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Author: Aruña Quiroga

In Faburiq, Faburiq Pocket Squares, Handkerchiefs, Handsewn, Japanese Inspired Tags Faburiq Pocket Squares, faburiqmade, Oneofakind, Kimono Fabrics, Vintage, Stilnow_popup, Boston, Newburystreet, madeinjapan, madeinusa
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Holiday Gifting Solved with Shades of Blue

Aruña Quiroga November 12, 2014

Pocket Squares are handy and stylish. Great to dress up any pocket - suit pocket, pant pocket, jean pocket, shirt pocket, even a ladies pocket....get one of these cool kasuri cotton blues to add to your stocking stuffers! Also available now at Stil Now on Newbury Street!

Author: Aruña Quiroga

In Faburiq, Faburiq Pocket Squares, Handsewn, Japanese Inspired Tags Faburiq, faburiqmade, Kimono Fabrics, Handsewn, Oneofakind, Stil, Boston, Men's Fashion, Madeinjapan, Madeinusa
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The Origins of the Kimono

Aruña Quiroga September 29, 2014

The kimono is a simple garment with a complex history that has been shaped by the evolution of weaving, dyeing, and embroidery techniques as well as cultural changes in Japan. The kimono's form was first introduced from China as an undergarment. Its use as a normal form of dress for men and women dates back from the Muromachi period (1392–1568). Meaning 'the thing worn', the term kimono was first adopted in the mid-19th century. Prior to that, the garment was known as a kosode, which means 'small sleeve', a reference to the opening at the wrist. Originally worn by commoners, or as an undergarment by the aristocracy, from the 16th century the kosode, or kimono, had become the principal item of dress for all classes and both sexes. It is still today, an enduring symbol of traditional Japanese culture. In kimono dress, it is the pattern on the surface, rather than the cut of the garment, that holds significance. Indications of social status, personal identity and cultural sensitivity are expressed through color and decoration.

                                                           Kosode circa 1610

                                                           Kosode circa 1610

The Edo period (1615–1868) was one of unprecedented political stability, economic growth, and urban expansion in Japan. Women's kimonos became very decorative from the middle of the Edo period in spite of bans on luxurious living imposed by the Tokugawa shogunate, the rulers of Japan at the time. The primary consumers of sumptuous kimono were the samurai, the ruling military class. Yet it was the merchant and artisan classes, or chōnin, who benefited most from the peace and prosperity of the period. However, the rigid hierarchy of Tokugawa Japan meant that they could not use their wealth to improve their social status. Instead they had to find different outlets for their money, such as buying beautiful clothes. It was this new market that stimulated the great flowering of the textile arts in the Edo period, what would be considered today as the “fashion industry”. The kimono developed into a highly expressive means of personal display, an important indicator of the rising affluence and aesthetic sensibility of the chōnin. During this period, woodblock-printed pattern books, called hinagatabon, played a crucial role in transmitting the most fashionable designs, just as fashion magazines and catalogues do today.

The modernization of the kimono happened during the Meiji period (1868–1912). In an attempt to place Japan on equal footing with Europe and America, Japanese officials began wearing Western-style clothing. In the late 1880s, even Empress Shōken promoted Western gowns to encourage women to adopt modern modes of dress. The kimono gradually became identified as Japan’s national dress, and at the same time became a highly sought-after fashion item in Europe and the United States, coinciding with the Japonisme craze that inspired many Western artists and designers, notably Vincent van Gogh and other Impressionists. 

The Taishō period (1912–1926) saw great urban growth, particularly in Tokyo. The prosperity and optimism of the period is evident in the colorful and cheerful textile designs, such as a kimono ensemble with brilliant explosions of chrysanthemum blossoms. Although Western-style clothes gained popularity, the kimono continued to be every-day wear. The motifs were dramatically enlarged and new designs appeared, sometimes inspired by Western-style painting. In creating such boldly patterned kimonos, the designers benefited from new types of silk and innovative patterning techniques and the technological advances made during the late 19th century. The kimono became relatively inexpensive and these highly fashionable garments were made available to more people than ever before. These vibrant kimono styles remained popular until the 1950s.

                                                          A Modern Day Geisha

                                                          A Modern Day Geisha

During the Shōwa period (1926–1989), kimono design continued to evolve in response to the artistic and political upheaval at the international level. There were even war propaganda kimonos with unique designs reflecting contemporary politics of the 1930s and 1940s. Over time, kimono makers evolved from nameless artisans to designated Living National Treasures, and the kimono gradually transformed from an item of every-day clothing to an exclusively ceremonial garment.

Kimonos are also known to be rather expensive. If this limits the wearing of them, it also proclaims their high cultural value. Indeed, the garment may be worn much less, but its symbolic importance has grown. As Japan has come to define itself within the western world since the late 19th century, the kimono has come to mark a boundary with the foreign, to stand for the essence that is Japanese. This is reflected in the fact that most contemporary textile designers working with traditional techniques still use the kimono as the primary format for their artistic expression.

              Audrey Hepburn in a Kimono circa 1960

              Audrey Hepburn in a Kimono circa 1960

The 21st century, however, has witnessed something of a kimono renaissance. Many eminent fashion designers, both in Japan and the West, creating innovative works inspired by the age-old indigenous garment. Elegant kimono in beautiful modern fabrics can be seen increasingly on the streets of Japan, while second-hand kimono are becoming popular with the young, who often re-style them or combine them with other items of dress. After the Second World War, kimono were often viewed as a product of Japan's feudal past or a symbol of woman's oppression, but today with Japan experiencing a “kimono boom”, they are just another choice in a woman's - and even occasionally a man's - wardrobe. They are an item of fashion, just as they were in their Edo heyday.

Author: Aruña Quiroga

Sources: The Victoria and Albert Museum, London, United Kingdom; http://www.vam.ac.uk/, The Metropolitan Museum of Art, New York, United States; http://www.metmuseum.org/

In Faburiq, Japanese Inspired, Kimono Pocket Squares, Vintage Japanese, Kimono History, Kimono Origins, Faburiq Pocket Squares Tags Kimono Fabrics, Kimono History, Kimono Pocket Squares, Faburiq, Kimono Men's Fashion, Faburiq Pocket Squares
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Japanese Inspired

Aruña Quiroga August 12, 2014

Having always been inspired by Japanese products and in the manner they are produced, this is one item that is a necessity in every person's life - towels. Simple as this item might be, and how easily one can overlook it’s purpose and importance, this is one of my favourite items that I get to use daily. These towels are made by a company established in 1934, Kontex, in Imabari City in the Shikoku region of Japan.

The design and production of these towels are unlike any other I’ve encountered. Using carefully selected cotton variety and fibers from different regions throughout the world and traditional weaving machines that gives weight to texture and softness over efficiency, a simple item has turned into a work of art. The towels are then finished off by being washed in the abundant wellsprings of underground water from the melted snows of Mount Ishizuchi to thoroughly remove the starch and wax without additional impurities becoming attached to the thread.

Like the Kimono, which originated as early as the 5th century AD, the evolution of the fabric itself is rich in history and the fabrics are still frequently hand-made today. The bolt of fabric that a Kimono is made from is an artistic creation touched by the hands of a designer, stitcher, weaver and dyer. Rarely does modern machinery play a significant role in the production of a Kimono fabric. The technical traditions of these artisans have enabled many Kimono fabrics to be recycled due to the quality of their skill. Damaged kimonos can be disassembled and resewn to hide the soiled areas. Historically, skilled craftsmen laboriously picked the silk thread from old kimonos and rewove it into a new textile using a recycling weaving method called saki-ori.

These are the inspirations behind Faburiq. Meticulous craftsmanship, beautifully preserved kimono fabrics reborn into the modern men’s Pocket Square.

Author: Aruña Quiroga

In Japanese Inspired, Kimono Pocket Squares, Faburiq, Pocket Squares Tags Japanese Inspired, Kimono Fabrics, Men's pocket squares
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MEET Aruña

Born in Malaysia, schooled in the United Kingdom, and now an improper Bostonian, Aruña designs each one-of-a-kind piece, and all hand-finished in the United States. Having been educated in England and Spain, and traveled extensively throughout Asia, Aruña has always been drawn to each culture’s traditional textiles and fashions. On a trip to Tokyo, Japan, Aruña visited many local fabric shops, and saw an opportunity to incorporate these traditional fabrics into contemporary men's attire.

#hanko #beauty #tradition #unique #writing #seal #history #art #culture #japan
#hanko #beauty #tradition #unique #writing #seal #history #art #culture #japan
The countdown begins.

#santaclausiscomingtotown #christmas #2019 #countdown #santaclaus #menswear #stories #faburiq
The countdown begins. #santaclausiscomingtotown #christmas #2019 #countdown #santaclaus #menswear #stories #faburiq
‘Tis the Season 🎄
Photo Credit: Monocle

@monocletravel 
#omotesando #omotesandohills #japanchrismastdeco #christmas #newyear #travel #menswear #inspiration #2020
‘Tis the Season 🎄 Photo Credit: Monocle @monocletravel #omotesando #omotesandohills #japanchrismastdeco #christmas #newyear #travel #menswear #inspiration #2020
Autumn Leaves.
#favoritetimeoftheyear #autumn #autumnvibes🍁 #autumnpallate #japan #newengland #boston
Autumn Leaves. #favoritetimeoftheyear #autumn #autumnvibes🍁 #autumnpallate #japan #newengland #boston
There’s more to wear in the Autumn or Fall (as we call it here stateside): more choices, more layers, more fun. What men are wearing in Kyoto, Sydney and Salamanca, Spain (left to right). #autumn #fall #mensstyle #morechoices #layering #dapperl
There’s more to wear in the Autumn or Fall (as we call it here stateside): more choices, more layers, more fun. What men are wearing in Kyoto, Sydney and Salamanca, Spain (left to right). #autumn #fall #mensstyle #morechoices #layering #dapperlydone #gq #handmade #fabrics #mensfashion #mensaccessory #madeinnewengland #madeinusa🇺🇸 Credit: Monocle
Seared scallops with cucumber and ginger salad, for my son.

#sear #scallops #cucumber #ginger #farmtotable #locallysourced #finedining #homecooked #homemade #chef #boston #seafood #foodie #refinedpalate #madeinboston #gentlemanofleisure🎩
Seared scallops with cucumber and ginger salad, for my son. #sear #scallops #cucumber #ginger #farmtotable #locallysourced #finedining #homecooked #homemade #chef #boston #seafood #foodie #refinedpalate #madeinboston #gentlemanofleisure🎩
Pottery lesson @simonpearce 
#finecraft #englishclay #potterywheel #arts #culture #vermont #oneofakind #madebyhand #madeinnewengland #madeinusa🇺🇸
Pottery lesson @simonpearce #finecraft #englishclay #potterywheel #arts #culture #vermont #oneofakind #madebyhand #madeinnewengland #madeinusa🇺🇸
@timeoutmarketboston

Met expectations 👌
#metexpectations #boston #newengland #madeinboston #bostonchefs #chefsofboston #bostonmade #madeinnewengland #travelboston #foodie #gastronomy #gq #travelandleisure
@timeoutmarketboston Met expectations 👌 #metexpectations #boston #newengland #madeinboston #bostonchefs #chefsofboston #bostonmade #madeinnewengland #travelboston #foodie #gastronomy #gq #travelandleisure
Wishing you a most relaxing day on Father’s Day!
#fathersday2019 #celebrateyourdad #celebrateyourdadtoday #mensstyle #dapper #dapperlydone #madeinnewengland #bostonmade #sourcedinjapan #designedinjapan #designedinusa🇺🇸
Wishing you a most relaxing day on Father’s Day! #fathersday2019 #celebrateyourdad #celebrateyourdadtoday #mensstyle #dapper #dapperlydone #madeinnewengland #bostonmade #sourcedinjapan #designedinjapan #designedinusa🇺🇸
#pocketsquares #pocketsquareswag #summersquare #weddingaccessories #dapper #dapperlydone #gq #menwithstyledaily #mensstyle #designedinsweden
#pocketsquares #pocketsquareswag #summersquare #weddingaccessories #dapper #dapperlydone #gq #menwithstyledaily #mensstyle #designedinsweden
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FABURIQ

Men's Haberdashery and Modern Accessories Crafted From and Inspired by Heritage Japanese fabrics

Faburiq is a Boston based company specializing in men's haberdashery and modern accessories made from heritage and vintage Japanese Kimono fabrics. Faburiq sources only the finest fabrics from Japan and hand-finished in the USA. Faburiq prides itself in giving these collectible fabrics a new life with a modern twist.

Faburiq | 629 Hammond Street E311, Chestnut Hill, MA 02467

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